The 648 Artworks of media Oil On Copper and containing the word isaak soreau, oil on copper

  + 1 707-877-4321   + 33 970-444-077  
English
Français
Deutsch
Italiano
Español
中国
Português
日本


5/648
Antoine (Brother) Le Nain - A Peasant FamilyA Peasant FamilyAntoine (Brother) Le Nain

The Le Nain brothers are famous for their sensitive portrayal of rural life, which they depicted without the ridicule found in many earlier images. It is often difficult to distinguish which of the three brothers executed a given painting, and this oil on copper has been attributed to both Antoine a...

The Metropolitan Museum of Art (New York, United States Of America)
6/648
Carlo Cignani - CharityCharityCarlo Cignani

A student of Francesco Albani, Cignani retained the Bolognese classicist’s line and bright palette, and inflected them with the delicate, human aspect readily apparent in this depiction of Charity. Perhaps because the subject was so well suited to Cignani, this composition is known in multiple versi...

The Metropolitan Museum of Art (New York, United States Of America)
7/648
Ludovico Carracci - Madonna and Child with SaintsMadonna and Child with SaintsLudovico Carracci

This oil on copper, made for Cardinal Benedetto Giustiniani, epitomizes Ludovico’s mature style: the pose of the Madonna evokes Michelangelo’s sibyls in the Sistine Chapel, while the elegant curves resonate with Parmigianino’s figures. Ludovico thus has paid homage to the great artists of the preced...

The Metropolitan Museum of Art (New York, United States Of America)
8/648
Ippolito Scarsella (Scarsellino) - The Virgin Adored by SaintsThe Virgin Adored by SaintsIppolito Scarsella (Scarsellino)

This early Italian example of an oil on copper shows the Virgin bestowing the scapular—a small piece of cloth symbolic of the yoke of Christ—on Saint Simon Stock, an English Carmelite monk who allegedly had a vision of this occurrence. Two donors kneel in the left middle distance with Saint Anthony ...

The Metropolitan Museum of Art (New York, United States Of America)
10/648
Jan The Younger Brueghel - Aeneas and the Sibyl in the UnderworldAeneas and the Sibyl in the UnderworldJan The Younger Brueghel

The literary reference for the subject depicted on this early example of Flemish oil on copper was the classical author Virgil’s Aeneid. The infernal “hell landscape” was inspired by paintings executed by the artist’s father, Jan Brueghel the Elder, who in turn had looked back to Hieronymus Bosch.

The Metropolitan Museum of Art (New York, United States Of America)
11/648
Giovanni Benedetto Castiglione - Roman Landscape with a Shepherd and SheepRoman Landscape with a Shepherd and SheepGiovanni Benedetto Castiglione

A shepherd seems to guide his flock of inquisitive sheep from the Italian countryside into the gallery. Castiglione painted historical and religious subjects, such as the Ecstasy of Saint Francis, hung in the adjacent gallery, but his exploration of landscape and animals such as this were particular...

The Metropolitan Museum of Art (New York, United States Of America)
14/648
Nicolás Enríquez - The Return of the Holy Family from EgyptThe Return of the Holy Family from EgyptNicolás Enríquez

Nicolás Enríquez, whose career spanned more than six decades, is best known as a specialist in paintings on copper. He frequently based his compositions on European prints, as he did in this painting, which derives from a work by the Flemish artist Peter Paul Rubens (1577–1640). The popularity of th...

The Metropolitan Museum of Art (New York, United States Of America)
15/648
Nicolás Enríquez - The Baptism of ChristThe Baptism of ChristNicolás Enríquez

In 1773 Nicolás Enríquez created this set of five paintings for the private devotional use of Juan Bautista Echeverría, a Spanish-born merchant. Echeverría’s choice of subject matter is highly personal, reflecting both his Basque roots and his extended residence in Mexico. Enríquez lavished special ...

The Metropolitan Museum of Art (New York, United States Of America)
16/648
Carlo Saraceni - ParadiseParadiseCarlo Saraceni

Saraceni probably painted this oil on copper soon after his arrival in Rome from Venice around 1598 and in response specifically to Francesco Bassano’s altarpiece representing this subject in the Roman Church of the Gesù. The influence of Venetian artists remains strong in terms of composition, but ...

The Metropolitan Museum of Art (New York, United States Of America)
25/648
Annibale Carracci - The Burial of ChristThe Burial of ChristAnnibale Carracci

Inside a dark cavern, dramatically lit by a torch, Christ’s limp but powerful body is about to be lowered into his tomb. Light on the horizon signals either sunset on his earthly life or sunrise in anticipation of a new beginning with his resurrection. This richly painted oil on copper was commissio...

The Metropolitan Museum of Art (New York, United States Of America)

-